Black Sheep Marines

Dragon Boat Racing Team
The Villages, Florida
History of Ancient Dragon Boat.
Similar to outrigger canoe (va'a) racing but unlike competitive rowing and canoe racing, dragon boating has a rich fabric of ancient ceremonial, ritualistic and religious traditions. In other words, the modern competitive aspect is but one small part of this complex of water craftsmanship. The use of dragon boats for racing and dragons are believed by scholars, sinologists and anthropologists - for example George Worcester, authoritative author of 'Junks and Sampans of the Yangtze River' - to have originated in southern central
Lake and along the banks of such iconic rivers as the Chang Jiang, also known as Yangtze (that is, during the same era when the games of ancient Greece were being established at Olympia). Dragon boat racing as the basis for annual water rituals and festival celebrations, and for the traditional veneration of the Asian dragon water deity, has been practiced continuously since this period. The celebration is an important part of ancient agricultural Chinese society, celebrating the summer rice planting. Dragon boat racing activity historically was situated in the Chinese sub-continent's southern-central "rice bowl": where there were rice paddies, so were there dragon boats. dragon boating is mostly celebrated in china
Of the twelve animals which make up the traditional Chinese zodiac, only the dragon is a mythical creature. All the rest are non-mythical (dog, rat, tiger, horse, snake, rabbit, rooster, monkey, sheep, ox, pig), yet all twelve of these zodiac creatures were well known to members of ancient Chinese agrarian communities. In China, dragons are traditionally believed to be the rulers of rivers, lakes and seas (so water) and to dominate the clouds, mists and rains which are of heaven. There are earth dragons, mountain dragons and sky or celestial dragons (Tian Long) in Chinese tradition. Mythical dragons and serpents are also found widely in many cultures around the world.
It is believed sacrifices through drowning may have been involved in the earliest boat racing rituals. During these ancient times, violent clashes between the crew members of the competing boats involved throwing stones and striking each other with bamboo stalks. Originally, paddlers or even an entire team falling into the water could receive no assistance from the onlookers as their misfortune was considered to be the will of the Dragon Deity which could not be interfered with. Those boaters who drowned were thought to have been sacrificed. That Qu Yuan sacrificed himself in protest through drowning speaks to this early notion. Furthermore, when rice seedlings are first planted, they are 'drowned' in rice paddies and eventually transplanted to be harvested later.
Dragon boat racing traditionally coincides with the 5th day of the 5th Chinese lunar month (varying from late May to June on the modern Gregorian Calendar). The Summer Solstice occurs around 21 June and is the reason why Chinese refer to their festival as "Duan Wu" or "Duen Ng". Both the sun and the dragon are considered to be male. (The moon and the mythical phoenix are considered to be female.) The sun and the dragon are at their most potent during this time of the year, so cause for observing this through ritual celebrations such as dragon boat racing. It is also the time of farming year when rice seedlings must be transplanted in their paddy fields, for wet rice cultivation to take place. Wu or Ng refers to the sun at its highest position in the sky during the day, the meridian of 'high noon'. Duan or Duen refers to upright or directly overhead. So Duan Wu is an ancient reference to the maximum position of the sun in the northern hemisphere, the longest day of the year or summer solstice.
This hot season is also associated with pestilence and disease, so is considered as a period of evil due to the high summer temperatures which can lead to rot and putrification in primitive societies lacking modern refrigeration and sanitation facilities. One custom involves cutting shapes of the five poisonous or venomous animals out of red paper, so as to ward off these evils. The paper snakes, centipedes, scorpions, lizards and toads - those that supposedly lured "evil spirits" - where sometimes placed in the mouths of the carved wooden dragons.
Venerating the dragon deity was meant to avert misfortune and calamity and encourage rainfall which is needed for the fertility of the crops and thus for the prosperity of an agrarian way of life. Celestial dragons were the controllers of the rain, the Monsoon winds and the clouds. The Emperor was "The Dragon" or the "Son of Heaven", and Chinese people refer to themselves as "dragons" because of its spirit of strength and vitality. Unlike the dragons in European mythology which are considered to be evil and demonic, Asian dragons are regarded as wholesome and beneficent, and thus worthy of veneration, not slaying. But if rainfall is insufficient drought and famine can result. Dragon veneration in China seems to be associated with annually ensuring life giving water and bountiful rice harvests in south central China.
Another ritual called Awakening of the Dragon involves a Daoist priest dotting the bulging eyes of the carved dragon head attached to the boat, in the sense of ending its slumber and re-energising its spirit or qi (pronounced: chee). At festivals today, a VIP can be invited to step forward to touch the eyes on a dragon boat head with a brush dipped in red paint made of the blood of a chicken in order to reanimate the creature's bold spirit for hearty racing.
Qu Yuan
The other main legend concerns the poignant saga of a Chinese court official named Qu Yuan, also phoneticized Ch'u Yuen. It is said that he lived in the pre-imperial Warring States period (475-221 BC). During this time the area today known as central China was divided into seven main states or kingdoms battling among themselves for supremacy with unprecedented heights of military intrigue. This was at the conclusion of the Zhou (Chou) Dynasty, which is regarded as China's classical age during which Confucius (Kongfuzi) lived. Also, the author Sun Tzu is said to have written his famous classic on military strategy The Art of War during this era.
Qu Yuan is popularly regarded as a minister in one of the Warring State governments, the southern state of Chu (present day Hunan and Hubei provinces), a champion of political loyalty and integrity, and eager to maintain the Chu state's autonomy and hegemony. Formerly, it was believed that the Chu monarch fell under the influence of other corrupt, jealous ministers who slandered Qu Yuan as 'a sting in flesh', and therefore the fooled king banished Qu, his most loyal counsellor.
In Qu's exile, so goes the legend, he supposedly produced some of the greatest early poetry in Chinese literature expressing his fervent love for his state and his deepest concern for its future. The collection of odes are known as the Chuci or "Songs of the South (Chu)". His most well known verses are the rhapsodic Li Sao or "Lament" and the fantastic Tien Wen or "Heavenly Questions".
In the year 278 B.C., upon learning of the upcoming devastation of his state from invasion by a neighboring Warring State (Qin in particular), Qu is said to have waded into the Miluo river which drains into Dongting Hu (lake) in today's Hunan Province—near the provincial capital city of Changsha and south of the city of Yueyang on Donting Hu, site of the first IDBF World Dragon Boat Championship in 1996—holding a great rock in order to commit ritual suicide as a form of protest against the corruption of the era. The Qin or Chin kingdom eventually conquered all of the other states including Chu and unified them into the first Chinese empire. The word China derives from this first dynasty of empire, the Qin (or Chin) Dynasty, under imperialist unifier Qin Shi Huang.
The common people, upon learning of his suicide, rushed out on the water in their fishing boats to the middle of the river and tried desperately to save Qu Yuan. They beat drums and splashed the water with their paddles in order to keep the fish and evil spirits from his body. Later on, they scattered rice into the water to prevent him from suffering hunger. Another belief is that the people scattered rice to feed the fish, in order to prevent the fishes from devouring the poet's body.
However, late one night, the spirit of Qu Yuan appeared before his friends (that is, he resurrected from the dead) and told them that the rice meant for him was being intercepted by a huge river dragon. He asked his friends to wrap their rice into three-cornered silk packages to ward off the dragon. This has been a traditional food ever since known as zongzi or sticky rice wrapped in leaves, although they are wrapped in leaves instead of silk. In commemoration of Qu Yuan it is said, people hold dragon boat races annually on the day of his death.
Today, dragon boat festivals continue to be celebrated around the world with dragon boat racing, although such events are still culturally associated with the traditional Chinese Duen Ng Festival in Hong Kong (Cantonese Chinese dialect) or Duan Wu festival in south central mainland China (Mandarin Chinese dialect).